choreography by Sabrina Železnik video by G/6

Obed deals with a research and application of connections between the breathing, movement, physicality, memory, voice, imagination, story(telling). The very research is also the dramaturge, director and choreographer. Obed is a practice. If it comes in form of performance then it is practice also for spectators. If it comes in form of an event, then it is practice for participants as well. If it comes in form of a meeting then it is a practice of a meeting for all involved. Obed is also hosting other collaborators. On this video that was made in January 2020 in Tobačna in Ljubljana, Slovenia, the two collaborators are Irena Z. Tomažin and Marko Batista. You can join any time. --- Practice, choreography by Torvald Silver & Tehvan Ratsanik Produced by Nomad Dance Academy Slovenija, Gregor Kamnikar & Dragana Alfirević Coproduction: Društvo za razvoj gledališča v izobraževanju, Federacija, YANVII, Laboratorio dell’Imperfetto, Svet In collaboration with Fičo Balet, Dejan Srhoj, Nhandan Chirco, Laboratorio dell Imperfetto, Primož Bončina, Marko Batista Camera, edit: Gaja Madžarevič

Obed deals with a research and application of connections between the breathing, movement, physicality, memory, voice, imagination, story(telling). The very research is also the dramaturge, director and choreographer. Obed is a practice. If it comes in form of performance then it is practice also for spectators. If it comes in form of an event, then it is practice for participants as well. If it comes in form of a meeting then it is a practice of a meeting for all involved. Obed is also hosting other collaborators. On this video that was made in January 2020 in Tobačna in Ljubljana, Slovenia, the two collaborators are Irena Z. Tomažin and Marko Batista. You can join any time. --- Practice, choreography by Torvald Silver & Tehvan Ratsanik Produced by Nomad Dance Academy Slovenija, Gregor Kamnikar & Dragana Alfirević Coproduction: Društvo za razvoj gledališča v izobraževanju, Federacija, YANVII, Laboratorio dell’Imperfetto, Svet In collaboration with Fičo Balet, Dejan Srhoj, Nhandan Chirco, Laboratorio dell Imperfetto, Primož Bončina, Marko Batista Camera, edit: Gaja Madžarevič

Following the successful performances Physical Manifestations and Poíesis of Self, for which the choreographer Snježana Premuš received the 2017 Ksenija Hribar Award, the author engaged in further research and search for tools and systems using somatic practice in a choreo‑social project. 10 protagonists will occupy the premises of The Old Power Station, staging events in various forms, from laboratories for closed groups to installation staging for the public. This time, the author is joined by the following artists: Tina Valentan, Dragana Alfirević, Dejan Srhoj, Anja Bornšek, Gregor Zorc, Boštjan Perovšek, Ivan Mijačević and a guest musician. camera: Gaja Madzarevič, Maša Nonković edit: Maša Nonković

Obed deals with a research and application of connections between the breathing, movement, physicality, memory, voice, imagination, story(telling). The very research is also the dramaturge, director and choreographer. Obed is a practice. If it comes in form of performance then it is practice also for spectators. If it comes in form of an event, then it is practice for participants as well. If it comes in form of a meeting then it is a practice of a meeting for all involved. Obed is also hosting other collaborators. On this video that was made in January 2020 in Tobačna in Ljubljana, Slovenia, the two collaborators are Irena Z. Tomažin and Marko Batista. You can join any time. --- Practice, choreography by Torvald Silver & Tehvan Ratsanik Produced by Nomad Dance Academy Slovenija, Gregor Kamnikar & Dragana Alfirević Coproduction: Društvo za razvoj gledališča v izobraževanju, Federacija, YANVII, Laboratorio dell’Imperfetto, Svet In collaboration with Fičo Balet, Dejan Srhoj, Nhandan Chirco, Laboratorio dell Imperfetto, Primož Bončina, Marko Batista Camera, edit: Gaja Madžarevič

INNOKINESTHETIC WORKPLACE is a physical and cultural space that supports different states during creative process. It is place and culture of trust. It is a fertile soil for authenticity and choices which are the oxygen for ideation. Different states: Listen Go inside Change the perspective Find a balance Move Move with me Change the focus Isolate yourself Connect hands and head Don‘t think Concentrate The workshop is part of the process »Leadership Academy« developed by Ekvilib Institute. The workshop is developed and facilitated by Ales Kranjc Kuslan. cam&edit: GEŠESTKA, gaja madzarevic music: Track Name:
 Inspirational Indie Rock Artist: 
Sokolovsky Music - Sokolovsky Music Playlist: http://bit.ly/SokolovskyMusic-MFM This track's license, Creative Commons Attribution, requires attribution. If you use this song in a video, cite the creator using the info below:
"Inspirational Indie Rock" by "Sokolovsky Music" is licensed under a Creative Commons Licence.
 http://bit.ly/1RWvI8s 
https://youtu.be/b2Ert4rX6zk

LET ME MOVE YOU, LET ME BE MOVED …explore the space …look within …encounter the other Where do I feel safe? Where do I end, where do you start? How close can I let you? Who leads, who follows? Where are my boundaries? How easy is it for me to say no? What do I want to say yes to? "Daring to set boundaries is about having the courage to love ourselves, even when we risk disappointing others." - Brene Brown Whenever change takes place, vulnerability plays a crucial role as we enter uncharted territory. The ability to set boundaries and say no to what we don't want and yes to what makes us feel alive enables us to keep our integrity in this uncertainty. »The workshop is part of the process »Leadership embodied«  which is being developed by Ales Kranjc Kuslan, Dejan Srhoj and Katarina Veselko« The workshop is designed and facilitated by Katarina Veselko and Ales Kranjc Kuslan. cam&edit: GEŠESTKA, gaja madzarevic music: Artist: Charlie Bolland - Charlie Bolland Music Playlist: http://bit.ly/CharlieBolland-MFM Track Name:
 Razor This track's license, Creative Commons Attribution, requires attribution. If you use this song in a video, cite the creator using the info below:
"Razor" by "Charlie Bolland" is licensed under a Creative Commons Licence. 
http://bit.ly/28ZRquc 
https://youtu.be/N6GaGDX1IE0

kontakt jam session / Fičo trening v Ljubljani, 5. 6. 2012 cam&edit: gaja madžarevič glasba: N'Toko - Parada Ljubezni

6. december 2013│Kino Šiška Dance performance – Ziya Azazi in the dervish dance and the whirl of beauty! Part of At.šiška – Austrian and Slovenian Focus on Contemporary Performing Arts CONCEPT/CHOREOGRAPHY/DANCE: Ziya Azazi MUSIC BY: Mercan Dede LIGHT: Celil Gode COSTUMES: Ischiko SCRIPT: Isin Onol Based in Vienna, dancer/choreographer of Turkish/Syrian origin Ziya Azazi (1969) has been exploring since mid-1990s the experimental dance rotations and repetitions that are mostly known in the dance of the Sufi religious order, Dervishes. It is the Dervish dance that Azazi has acquired as his personal, artistic, conceptual and physical basis, which he builds on in a series of performances. His dance is an impressive encounter of tradition and contemporaneity, the ancient practice of Sufi dance giving the impression of a contemporary dance reference from the times of Modernism when ritual ethnical and dance motifs were a regular feature of modern dance: from Ballet Russes to American modern dance. Azazi has introduced the dervish dance among contemporary dance practises. From the 8th century onwards, ascetic communities were trying to prevent the menacing decay of religious values. Their members were wearing woollen penitential robes (Suf) and preaching the real meaning of Koran verse. Because of their clothing, people soon began to call them Sufis. Members of Sufi orders and solitary wandering beggars are called Dervishes, which is a word of Persian origin for beggar. Sufism was founded by Hasan Al Basri (643−728) who is supposed to have said, “Whoever knows his Lord loves Him, and whoever knows the world does without it.” http://ziyaazazi.com cam&edit: gaja madzarevic

Pajek v belem│ 28. maj 2014 │Stara elektrarna, Ljubljana│plesna predstava Dogodek Pajek v belem vleče novo nit v projektu Spider Expand!, ki se po uspešno izvedenih edicijah – ki so v letu 2014 potekale marca v Bruslju, se nadaljevale v Lyonu in Berlinu (april) ter v Atenah (maj) – ponovno vrnil v Ljubljano. Avtor in izvajalec: Nicolás F. Rosés Ponce Ω Mantra je raziskovanje trdne vezi med plesalcem in glasbo, prvinskega odnosa med gibom in zvokom. Prisotnost obeh v istem prostoru ustvarja odnos, v katerem se telo transformira v inštrument, ki omogoča sinestezijo; videti zvok in slišati gib. Izbira tradicionalne forme omogoča spontanost in vključuje moč, ki spreminja čiste fizične akcije v umske in estetske kategorije ter vodi občinstvo skozi različne pokrajine in občutja. Nicolás F. Rosés Ponce (1988) je argentinski plesalec igralec in koreograf, ki je kot najstnik začel s študijami metod Stanislavskega, Grotowskega in Artauda, od koder izhaja njegov interes za poglobljeno raziskovanje gibanja kot ekspresivnega medija. Za tem se je začel posvečati plesnim tehnikam in koreografiji kot orodju za povezovanje različnih jezikov na odru. Zanimajo ga meje telesnosti in srečanje specifičnih form, skozi katere lahko skupaj z gledalcem "vstopa" znotraj struktur odrskega prostora in časa. Je eden izmed vročih upov priznane amsterdamske koreografske akademije SNDO Avtor dogodka: Matej Kejžar, Žiga Predan / Produkcija: Pekinpah/Kink Kong / Producent: Žiga Predan / Programerji: Matej Kejžar, Žiga Predan, Leja Jurišić / Umetniški odbor Spider Expand!: Matej Kejžar, Jean Emmanuel Belot, Michaël Pomero, Julien Monty, Marie Goudot, Saša Božić, Roxane Huilmand,Wolfgang Kolb, Renate Graziadei, Arthur Stäldi, Frosini Trousa / Teksti: Andreja Kopač & Pekinpah/King Kong / Tehnični vodja dogodka: Igor Remeta / Zahvale: Jana Wilcoxen, Nina Fajdiga, Saša Šuštar, Saša Lončar, Nina Meško / Festival Pajek so omogočili: Evropska skupnost – program za kulturo (2007−2013), Mestna občina Ljubljana, Ministrstvo za kulturo Republike Slovenija cam&edit: gaja madzarevic

Tokrat smo se sprehodili po Expontu, 18. mednarodnem festivalu uprizoritvenih umetnosti.

Obiskali smo Španske borce, kjer smo si v začetku septembra ogledali predstavo Magdalene Reiter, Transland, se udeležili 30. obletnice obstoja Španskih borcev, poklepetali z umetniškim vodjo Iztokom Kovačem, ki je hkrati idejni vodja predstave S.K.I.N.

"Parodos – the entrance of an ancient urban chorus on stage. What is so important that the audience have to see, hear and experience it? Goran Bogdanovski www.ficobalet.org Creative process and choreography: Goran Bogdanovski 
Created and performed by: Manca Dorrer, Miha Pribošič, Tea Vidmar, Janes Moličnik, Manca Kaliman, Samo Židan, Ana Kandare, Jakob Tomše, Tina Koščak, Sašo Rutar, Katja Kordiš, Priya Balan, Irena Kirn
 Creative process Assistant: Leja Jurišič 
Lighting and set design: Igor Remeta in Goran Bogdanovski 
Costume design: Maja Modrijan and Smetumet Cultural and Ecological Society 
Sound design and music selection: Goran Bogdanovski 
 Video: Maša Nonković Photo: Peter Uhan Graphic design: Rok Klemenčič
 Public relations: Jedrt Jež Furlan Technical director: Igor Remeta
 Production: Fičo Balet In cooperation with: Bunker Ljubljana
 The project has been supported by: Fičo Balet members, City of Ljubljana and the Ministry of Culture of the Republic of Slovenia Parodos is a performance, more specifically, a series of associative glimpses, a sort of a dancing stream of consciousness. Whatever the creators are experiencing is transformed into movement, glimpses of stories, a series of existence. The glimpses, fragments and thoughts intertwine in a form open enough for us to get involved in it. The threads they weave and move are images of life: work at the studio, protests, loves, trainings, all combinations of relationships, mambo jumbo in all processes, dream sequences, pathology that does not stifle but merely – like a scream from somewhere deep and far – climbs to the top, only to be drowned by the current of life, constantly knitting, combining, composing and decomposing. The springs of multiple thoughts, feelings, instincts and drives burble on the rich surface. The complexity of being and existence is manifested at all its levels. Men fight each other, women cunningly "cater" to men's hormones, together they chant slogans of our current common delusion, they fall into the work light, making us ask: Is all this real? Is it just a dream, an appearance? It is all real and it is only the beginning. They reach back into a distant past to bring us to the point of here and now, taking us far away again ... which they do incessantly. Continuously. Again and again, always and forever ... turns our parodos. Backstreets into the main song, to the core and back again to the edge. And then again... Jedrt Jež Furlan (after seeing the rehearsal on 19 May 2013)

All the happening is taking place at a square. A town square or a ''square'' in our inner selves. People are walking through the square, and that is all. There is nothing behind it, no higher purpose. The square represents "point zero", where one individual becomes clearer through another. The square is the place where we can find out and see everything or rather notice nothing at all. creative process and choreography: Goran Bogdanovski creation and performance: Manca Dorrer, Petra Guček Tomšič, Julija Magajna, Maja Kavzar, Janja Buzečan, Anja Keber, Manca Kaliman, Maria Maridaki - Čalić, Iva Tratnik, Tina Koščak, Gaja Madžarevič, Miha Tomšič, Miha Pribošič, Miha Jensterle, Samo Židan and Sašo Rutar choreography assistant: Leja Jurišić Cam'n'edit: Maša Nonković cam: Goran Bogdanovski sound: Brane Zorman www.ficobalet.org

CoFestival │ 21. september 2013 │ Kino Šiška Šesta edicija FičoDROM-a sovpada z vstopom v jesen, mi pa poskušamo podaljšati občutek vznemirjenosti, sproščenosti in poletnega zaleta. Tem občutkom bomo sledili tudi z izborom glasbenih ustvarjalcev! Organizacija Pleskavica, soorganizacija Kino Šiška. cam&edit: gaja madzarevic

documentary improvisation Dragana Alfirevic Srhoj & Marjeta Kamnikar support> Gregor Kamnikar production> Dance Theatre Ljubljana, festival Ukrep / CoFestival camera> Masa Nonkovic & Gaja Madzarevic

PLESKAVICA 2011 9th -19th of June 2011 Different locations in Ljubljana The second edition of the Pleskavica festival, a partner of the Nomad Dance Academy educational and production dance network of the Balkan region, will try to react to the Slovenian dance festival moment, where in the last four months five (international) dance festivals took place.

cam, edit & graphics by Gaja Madžarevič

www.ficobalet.org - Fičo trening cam'n'edit: Maša Nonković cam 2,3: Aleksander Petric, Gaja Madžarević

John the Other John the Other is a solo dance performance about John. It is a continuation of a prolonged creative process of Goran Bogdanovski and Tomi Janežič, that opens new spaces between dance, theatre and life. John the Other is the second part of a John trilogy, that explores the possibilities of a distance view of ones own life. created and performed by: Goran Bogdanovski creative proces: Tomi Janežič music: Bojana Šaljić Podešva video: Maša Nonković light designe: Igor Remeta graphic design: Boštjan Majcen photo cover: Dorijan Kolundžija production: Fičo Balet and Studio za raziskavo umetnosti igre co-production: Bunker Ljubljana ficobalet.org